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Gerard van Honthorst Portrait of William II, Prince of Orange oil painting reproduction


Gerard van Honthorst
Portrait of William II, Prince of Orange
Gemälde IDENTIFIZIERUNG::  94937
 Date circa 1653(1653) (1647-1663) Medium oil on panel Dimensions 30 x 24.1 cm (11.8 x 9.5 in) TTD

 
 
   
      


Gerard van Honthorst Portrait of William II, Prince of Orange oil painting reproduction


Gerard van Honthorst
Portrait of William II, Prince of Orange
Gemälde IDENTIFIZIERUNG::  94942
 Date 1651 Medium oil on canvas Dimensions 110.5 x 86 cm (43.5 x 33.9 in) TTD

 
 
   
      
Gerard van Honthorst
(November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes.
Portrait of William II, Prince of Orange
Date 1651 Medium oil on canvas Dimensions 110.5 x 86 cm (43.5 x 33.9 in) TTD

Related Paintings to Gerard van Honthorst :.
| Landscape with Shepherdess and Shepherd Playing Flute | Luxe I (mk35) | Portrait of Philip the Good after | Details of The White horse | Paul Signac: Women at the Well |

        
 
   
 

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